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Bifurcation

Adam Birch

25.04.18 - 12.07.18 Cape Town

Bifurcation is the first solo show for Adam Birch, whose functional timber sculptures have become highly sought after at international design fairs and auctions.

Adam grew up on a large farm in the Cape Winelands, where his love of trees began as a child, playing in the forests. He completed a Fine Art degree in 2000, majoring in Applied Graphics, but always dreamed of becoming a full-time sculptor. Shortly thereafter he became a tree surgeon, and began to work in his spare time with pieces from the dead trees he was cutting down, transforming them into innovative sculpted furniture. A passionate environmentalist, Adam cuts down only alien tree species and uses indigenous wood from trees that have already fallen.

The pieces in Bifurcation have all been carved from the part of the tree that carpenters usually discard: the fork. At this junction – where the trunk bifurcates into two branches – the wood grain becomes twisted and dense, making it difficult to cut. But in the anatomy of a tree the fork is a key point determining its stability.

“I like working with the fork because of what happens to the grain. It goes from being one series of concentric circles to two. The grain does crazy things at this juncture – all sorts of swirls and whorls,” Adam says. “Timber is such an incredible material. Plastic or steel wouldn’t be able to withstand the force of what happens to a tree in wind or a storm.”

Once a tree is felled, Adam takes a trunk-to-twig approach to utilising the timber, cutting it into planks, floor boards, structural beams and firewood, with only the fork remaining. After leaving them to dry (some for as long as five years), he carves into them with a chainsaw – a somewhat unconventional sculpting tool that requires a lot of control – before refining them with hand tools.

His fascination and experience with timber as a medium is multi-faceted. “No two pieces of wood ever share exactly the same colour, form or texture.” This is directly reflected in the patterns formed by the grain and exaggerated by his design. The natural shape of each piece informs the sculptural approach, and although the end result is refined and sophisticated, the essence of the individual tree is still present.

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